Last edited by Shaktilabar
Thursday, August 6, 2020 | History

2 edition of Canadian national cinema found in the catalog.

Canadian national cinema

Christopher E. Gittings

Canadian national cinema

by Christopher E. Gittings

  • 230 Want to read
  • 25 Currently reading

Published by Routledge in London, New York .
Written in English

    Subjects:
  • Motion pictures -- Canada -- History,
  • Motion picture industry -- Canada -- History

  • Edition Notes

    Includes bibliographical references (p. ) and index.

    StatementChristopher E. Gittings.
    SeriesNational cinemas series
    Classifications
    LC ClassificationsPN1993.5.C2 G54 2001
    The Physical Object
    Paginationp. cm.
    ID Numbers
    Open LibraryOL23722009M
    ISBN 100415243912, 0415243920
    LC Control Number2001048304

    The Canadian programming at VIFF doesn’t do much to inspire pride in me as a filmmaker, because VIFF doesn’t seem to do much to support a challenging local or national cinema. For a long time now, VIFF has seemed to judge regional films by the perceived amount of money that was poured into them, and by how closely they mimic Hollywood films. NATIONAL CANADIAN FILM DAY. National Canadian Film Day is a massive one-day celebration of our nation’s cinema and culture. It’s an opportunity for all Canadians across the nation and around the world to embrace the diverse stories that represent us. INDIGENOUS FILM PROGRAMME. A selection of Indigenous-made films by filmmakers from diverse.

    This chapter explores the trajectories of Canadian filmmakers through the discourses, events, and infrastructures of cinema outside of their national borders. As Canadian cinema travels the world, it is promoted and interpreted in a variety of ways: as a product seeking foreign markets, as an ambassadorial cultural form representing Canada, and as a distinctive authorial voice often nurtured. Nationalism and the cinema in France: political mythologies and film events, – July Historical Journal Of Film Radio and Television Gertjan Willems.

    This book seeks to situate women's cinema through the complex optic of national culture. Gendering the Nation: Canadian Women's Cinema Edited by Kay Armatage, Kass Banning, Brenda Longfellow, and Janine Marchessault. Available in 10,+ U.S. and Canadian cities. Choose your way to save with coupons in the Entertainment® Book or on your phone and online with the Digital Membership. View Savings.


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Canadian national cinema by Christopher E. Gittings Download PDF EPUB FB2

84 rows  The cinema of Canada or Canadian cinema refers to the filmmaking industry in Main distributors: Universal %, Disney %. British National Cinema 2nd Edition. Sarah Street, Sarah Street Aug The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series.

National cinema theorists in the s and ’70s narrowly defined national cinemas within prescriptive text-based criteria. However, since the onset of post-structuralist approaches to cinema and cultural studies, national cinema analysis has changed.

In the s, film theorists revised the notion of national cinema by questioning the prescriptive nature of the discipline and addressing Author: Elizabeth Avram. National Canadian Film Day — the annual celebration of all things Canadian on the silver (or should we say, “snowy”) screen — is back, albeit more subdued this year given theatres remained closed due to the COVID crisis.

But the event is moving forward like the rest of us, at home. From. Thanks to our amazing Canadian artists for their incredible interpretations: Merci à nos talentueux artistes canadiens pour leurs interprétations incroyables: LeeAndra Cianci @leeandracianci (p.

4, 10, 15, 17, 19, 21, 22, 25, 26, 28, 31) Rebecca Lacroix @Becca_Lacroix   The Cinema of Canada contains 24 essays, each on a different film and divides itself into three distinct categories: English-Canadian cinema; Québec cinema; Aboriginal cinema. In so doing, it provides a fascinating historical account of the development of film and documentary traditions across the diverse national and regional communities in.

Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions.

Surely that was worth mentioning in a book that examines Bruce McDonald's films, their Canadian-ness, and mentions the special issues facing state-subsidized Canadian cinema (where, without state subsidy, there would otherwise be nothing but total domination of American product on Canadian screens) along with analyzing Bruce's contrasting of LA 4/5(1).

Award-winning author David L. Pike offers a unique focus on the crucial quarter-century in Canadian filmmaking when the industry became a viable force on the international stage.

Pike provides a lively, personal, and accessible history of the most influential filmmakers and movements of both Anglo-Canadian and Quebecois cinema, from popular movies to art film and everything in Folksonomy: A system of classification derived from the practice and method of collaboratively creating and managing tags to annotate and categorize content; this practice is also known as collaborative tagging, social classification, social indexing, and social tagging.

Coined by Thomas Vander Wal, it is a portmanteau of folk and taxonomy. Pierre Véronneau, author of Histoire du cinema au Québec "Bill Marshall has a solid understanding of the complexity of Quebec cinema's relationship to the national question. This is certainly the most ambitious, most intricate, and most informative book in English on Quebec national cinema."Cited by: The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema.

Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history.

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The pursuit of excellence. Quebec national cinema. [Bill Marshall] Surveying fictional feature films, this book demonstrates how Quebec cinema has evolved from the innovative Read more Rating: (not yet rated) 0 with reviews - Be the first. Subjects Scholars Portal Books Canadian Publishers Collection.

'One Hundred Years of Canadian Cinema is an excellent book that effectively and efficiently covers feature film production, documentary film, and key elements of alternative filmmaking. A pleasure to read.'4/5(3).

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Notes. This book is not available online here. If you are affiliated with The University of Western Ontario, please use the Shared Library Catalogue's Advanced Search to check whether the book is available in Western Libraries.

If you are not affiliated with The University of Western Ontario, search WorldCat to find out how you can get access to the by: Chris Gittings is the author of Canadian National Cinema ( avg rating, 8 ratings, 1 review, published ) and Der Vampyr ( avg rating, 1 rating /5. Take the Canadian Cinema ChallengeCatch up with some of the best Canadian films of the decade, and get a sense of what the country's cinema has to the challengeGet the book What is the Canadian Cinema Challenge.

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Abstract. This article examines the oft-repeated claim in scholarship and popular texts that the Canadian Bioscope Company’s production of Evangeline () was the first Canadian feature film. Considering the film’s reception in the press in Canada and the United States and the cultural history of the Evangeline legend in its many popular permutations and intermedial formats, the article.THE CINEMA OF ISOLATION: A HISTORY OF PHYSICAL DISABILITY IN THE MOVIES by Martin F.

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